Washington State Flag 11, Third Drafts, Silk

We left off with my first finished drafts
on silk, above.
  I learned a lot… and now I had to move into true oil painting,
taking advantage of the slow drying
of the oil paints to blend, and having
a greater understanding of the problems
of painting on silk. It was time for me
to blend and finish these test pieces.

Again, I started with the circle.

I also worked out the lettering + border.

The white circle took two coats of the Titanium Zinc White to cover.
Titanium Zinc was chosen as it is a very bright white to mimic a lead white,
but is not as brittle as Zinc White.  I traced my lettering and tried our gold paints,  comparing both against the original.  Neither the Titanium White border
nor Pale or Rich Gold from the tube was just right.

It is hardest to duplicate a finish that has aged, whether shellac or paint.
Years of environmental factors created the color we perceive, not pigments.
Also, many pigments from years past are now illegal, and so hard to obtain,
though conservators can purchase them for reparation on damaged paintings.
This reproduction did not qualify for mixing the older pigments,
such as a lead white, for both cost reasons and also toxicity.
And, our pigments are against the original color of the silk,
emerald green, not the faded silk of the original flags current state.

I mixed Titanium White going into a warm cream by adding Titanium Buff,
but that was not the direction with pigments;
then finally mixed a warm grey that was right, and batched a small tube of that formula.

The golds available needed to be bright, warm, and crisp. Mixing the two “golds” was a start — the rich gold was creamy and the pale gold, a bronze, bright. I added a bit of ocher to further warm and darken. This was batch mixed, placed into a tube, and sealed.

I completed two more test runs on silk, one without the border, above,
where I worked more on finishing his face…
and one with the border, above left and below.  On the second is face is left rough.


My studio would transform in order to create the large pieces for the flag, next post!

All paints are Gamblin Oil Paints, made in Portland Oregon.

To begin at the beginning, visit Washington State Flag, 1.

©MPF Conservation.  May be printed for your own use.
May be reposted if our url + copyright is used as reference.

About dkatiepowellart

hollywood baby turned beach gurl turned steel&glass city gurl turned cowgurl turned herb gurl turned green city gurl. . . artist writer photographer. . . cat lover but misses our big dogs, gone to heaven. . . buddhist and interested in the study of spiritual traditions. . . foodie, organic, lover of all things mik, partner in conservation business mpfconservation, consummate blogger, making a dream happen, insomniac who is either reading buddhist teachings or not-so-bloody mysteries or autobio journal thangs early in the morning when i can't sleep
This entry was posted in conservation techniques and tagged , , , , , , , , , , , , , , , . Bookmark the permalink.

We welcome comments and questions!

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.