End of this year I had the pleasure of working on our client’s Grandmother’s quilt. Pleasure because as I worked on it the imagined original beauty came alive; pleasure because our client is interested and excited! As you can see … Continue reading
Continuing from our earlier post on searching for beads… This post, harder repairs. Side “A” had many more difficult repairs. Below is an example of what I shared with our client regarding the worst of her issues on the tea … Continue reading
I started on the easier side, “B” from the previous post, but now I move to the side that is far more damaged, side “A”. Note: These images are not in chronological order in this post. We will cover some … Continue reading
Continuing from our earlier post on searching for beads… The cosy has two sides, arbitrarily labeled “A” and “B” for reporting and discussion sake in the report. Some of the areas of the tea cosy have disintegrating linen warp and … Continue reading
Continuing from our earlier post… The difficulty in finding beads to match vintage beads is astounding! Clients and those creating new works are unaware that every day our commerce is trying to save cash by only stocking what is popular. … Continue reading
We have several interesting textile projects in the studio this year, and one of the most challenging is this Victorian Tea Cosy for a private client who has generously allowed the process to be shared. There are five posts to … Continue reading
One of the biggest challenges in conservation is when the artists were not thinking about their pieces being loved and collected, and eventually, cleaned and conserved, and work in mediums that are experimental (as in the case of early acrylics). … Continue reading
One of the sweetest pieces we ever treated. A widow had several items conserved for the children in the family. This lovely beaded needlepoint had many condition issues: dozens of moth-eaten areas, ripped or broken canvas, a good deal of … Continue reading
