Louis XIV Chest, 1, Woodworking


The chest of drawers is a seventeenth century French Louis XIV,
shown above after treatment in its full glory.
The drawers are wide and deep, and one can imagine a wealthy woman having a lovely chest to place long full slips and undergarments in with room to spare.

Before and after treatment, above.

To show all the various repairs that go into a piece like this would be monumental;
instead we offer a sampling of the many preservation/conservation
repairs performed on the Louis XIV chest.

This post covers samples of structural reparation.

Veneer was created ahead of time for the project,
as the original veneer was thicker than commercial veneers made today.
It was cut from old, vintage stock,
and finished using traditional pure shellac created in the studio with no fillers.

Top Left Drawer Corner

The top left-facing drawer corner is a good example of a complicated repair:
we show treatment up to the time it is ready for finish, below.
The top corner edge is broken and contains desiccated rubble, possibly some from
an old insect infestation.  The punky structure probably made for an easy break.
Before and after treatment, as a teaser, above.

Right, the right-facing top corner
for comparison.  On the left-facing
top corner the damaged punky wood (rubble) was excavated from
the broken top drawer edge.

The splitting veneers were shaped
for repair with various chisels.

The voids are measured.  Three
different pieces are crafted to be used
in the repair: An angled piece of
drawer; A backing that runs the length of the drawer face; The lip itself.

When these are completed, the pieces are glued using hide glue, and clamped to cure.

The second day, the clamps off, and the various parts are shaped, using carving chisels
and small planes, then sanded with a sanding tool shaped for this application.
Veneer is trimmed for replacement with new veneer.
The pieces are glued using hide glue, and clamped to cure.

The drawer is ready for finish work, which involves matching the color of the shellac.

Escutcheon Mortises

Several screw mounting mortise were enlarged and this left
the pulls to move about, scratching the drawer faces.
The repair involves carefully routing the mortise from both sides
(so as not to damage the veneer), insert matching stair-stepping wooden plugs,
gluing in place, and then carefully redrilling the mortise.
The mortise now hold the escutcheons securely.

We move to Pest Infestation!

Written by Kate Powell, ©MPF Conservation.
May be printed for your own use ONLY, not for use on blogs without permission.

About MPFConservation

We are a conservation and restoration firm located in the Pacific Northwest, specializing in objects: furniture, but also other objects; wood, stone or metal furniture or objects; lacquered and painted furniture or objects; traditional finishes on furniture or objects; quilts, beaded objects, and some textile reparation and interior architectural elements, such as leather or upholstered walls. When you think about conservation, equate it to restoring the furniture or object the best way possible for the history, life and value of the object. We are fully qualified to perform museum-tectbook treatments, but also flexible enough to work with private clients to allow for daily use of objects. We work West of the Rockies from Canada to Mexico, and once in a while venture beyond the West for specific treatments. Kate and Mitchell Powell are partners in work and in life; we each have our specialties in work and in our marriage. Mitchell is the cat charmer in both! To see our work visit our official website: http://www.mpfconservation.com
This entry was posted in antiques, art, conservation techniques, decorative motifs, Interim Report, painted objects, preservation, process, reparation, restoration techniques, wooden objects and tagged , , , , , , , , , , , , . Bookmark the permalink.

6 Responses to Louis XIV Chest, 1, Woodworking

  1. Dan Antion says:

    Such patience and craftsmanship on display here. Very nicely done! I understand what you’re doing (especially forming your own sanding block) but I’m not sure I have the eye or the patience or the “touch” to do it. I love the pictures!

    Like

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