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Category Archives: reproduction
We left off with the finished drafts on paper, above. New tracings from our master tracing are created each time so the tracing paper doesn’t wear and the marks are fresh, not fat and sloppy. Silk was primed using Gamblin’s … Continue reading
Beginning with the test sheets, I created test paintings of oil on paper. The paper was primed with shellac to prevent oil seepage. New tracings from our master tracing are created each time so the marks are fresh. My first … Continue reading
I created test sheets for oil versions of George. Two coats of shellac seals the paper for the oil paint. It is nice to use up old shellac which can no longer be used on furniture! Phthalo Green and Chromium … Continue reading
The Flag Room is staged for the duration of the project. Black foam-core lines the walls waiting for the silk to be stretched upon. The silk will be attached to the foam-core for stability. The center table, currently used to … Continue reading
I might’ve struggled through trail and error and testing on many phases, but thankfully, we are fortunate to share Portland as our home base with Gamblin Artist Colors, home to both the best oil paints and also, home to Gamblin … Continue reading
This is fun! I want to know how they made the mould! “Standard flat plywood boards cannot be moulded into curved shapes. To form curved plywood, glue is spread over layers of thin, cross-grained veneers which are placed in a … Continue reading
In our last post, I told a story about determining our reproduction protocol. Now, on to testing products! Never underestimate the benefits of testing materials. I am by nature an impatient artist and tend to dive into art materials and … Continue reading