C.W. Parker Portland Horse
Planter’s Chair Conservation
Looking for something?
Lollipop Chair Conservation
Erzulie Danthor Drapo Preservation
Our Categories:antiques architecture art CAUTIONS chair conservation techniques decorative motifs encaustic wax French Furniture funny funny gilding history house museums Interim Report Lacquer mold musings News painted furniture painted objects pest infestation pigments preservation process reparation reproduction restoration techniques shellac Spanish Furniture tailor textiles tools traditional varnishes upholstery virus waxes wooden objects
- If you can't find a bookmarked blog post check under out Portfolio Page top right; we moved some process blogs onto one page for convenience! All writing and all images not credited to someone else are ©MPF Conservation. Reblogging permitted with credits to MPF Conservation; please notify.
Deco Upholstery Conservation
Tag Archives: Washington State DAR
We left off with eyes following me around the room, above, and a day of oiling out. The background is a blend from left to right of phthalo, sap, olive, and chromium greens, as we illuminate George from behind on … Continue reading
Note: The images are at an angle so the powdery textures and oil can be better seen. Taking a break from painting George to discuss a procedure that will be performed on the finished product, and the testing day. We … Continue reading
We left off with my final finished draft on silk, above. I wished I’d take a photo of the room with the green silk along one wall — Beautiful color to work in for the next two months of painting! … Continue reading
We left off with my first finished drafts on silk, above. I learned a lot… and now I had to move into true oil painting, taking advantage of the slow drying of the oil paints to blend, and having a … Continue reading
We left off with the finished drafts on paper, above. New tracings from our master tracing are created each time so the tracing paper doesn’t wear and the marks are fresh, not fat and sloppy. Silk was primed using Gamblin’s … Continue reading
Beginning with the test sheets, I created test paintings of oil on paper. The paper was primed with shellac to prevent oil seepage. New tracings from our master tracing are created each time so the marks are fresh. My first … Continue reading