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Tag Archives: #textilepreservation
LIBERTY COVERLET ca 1841
The blue side, where the wool yarn is showing the design, left, has much more degradation than the linen field side, right. Our client brought MPF Conservation (hereafter called MPFC) this linen and wool pocket weave blanket to be conserved: … Continue reading
Posted in antiques, conservation techniques, decorative motifs, French Furniture, Interim Report, painted furniture, painted objects, preservation, process, reparation, restoration techniques, upholstery, wooden objects
Tagged #1841, #ashland ohio, #blanket, #cambridge illinois, #coverlet, #jmcclellan, #liberty, #libertyblanket, #libertycoverlet, #mpfconservation, #needlework, #nwportland, #objectconservation, #pacificnorthwest, #portlandoregon, #reweaving, #textileconservation, #textilepreservation, #textilerestoration, #traditionalneedlework, #visiblemending, #wool, #woventextile, linen
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Suzi Piegols’ Textile
Above, the piece after conservation. I had the privilege to repair and conserve a portion of this unusual textile artwork created by Suzi Piegols, a well-known Oregon textile artist, shown left with a quilted piece of her own. I wish … Continue reading
Posted in antiques, art, conservation techniques, decorative motifs, Interim Report, preservation, process, reparation, restoration techniques, textiles, upholstery
Tagged #design, #fur, #jute, #mpfconservation, #needlework, #nwportland, #objectconservation, #objectconservator, #oregonartist, #pacificnorthwest, #portlandoregon, #reweaving, #textileconservation, #textilepreservation, #textilerestoration, #traditionalneedlework, #upholsterypacificnorthwest, #UpholsteryPortlandOregon, #wool, #woventextile, leather
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Conservation of Margaret Rose’s Sampler Ca 1832
Above, the top of the sampler with Margaret Rose’s name and location at the time of the creation of the sampler. On either end you can see that originally the piece was intended to be hung on a rod, loop … Continue reading
Posted in antiques, conservation techniques, decorative motifs, preservation, process, reparation, restoration techniques, textiles
Tagged #alphabet, #americansampler, #americantextile, #birds, #canadiansampler, #canadiantextile, #coffeepot, #cotton, #design, #embroidered, #heart, #lettering, #linensampler, #MargaretRoos, #MargaretRose, #motifs, #mpfconservation, #needlework, #nwportland, #objectconservation, #objectconservator, #pacificnorthwest, #placesettings, #planters, #portlandoregon, #rooster, #slowstitch, #teapot, #textileconservation, #textilepreservation, #textilerestoration, #traditionalneedlework, #visiblemending, cats, embroidery, flax, flowers, linen, sampler
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Washington State Flag: Painting
We left off with corrections and tracing the letters. Know that the subtle shadings of colors from one blank to the next is due to the artificial versus natural light in the room when photographed, and fresh paint is much … Continue reading
Posted in antiques, decorative motifs, Interim Report, painted objects, process, reproduction, textiles
Tagged #DARstateflag, #gamblinartistcolors, #gamblinoilpaint, #georgewashington, #lettering, #paintingfaces, #portraits, #replication #paintingonsilk, #textileconservation, #textilepreservation, #washingtonstateflag, DAR, flag, painting on silk, replication, State Flag, Washington history, Washington State DAR, Washington State Flag
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Washington State Flag: Painting
We left off with the background and the beginnings of the jacket, above. Know that the subtle shadings of colors from one blank to the next is due to the artificial versus natural light in the room when photographed, and … Continue reading
Posted in antiques, decorative motifs, Interim Report, painted objects, process, reproduction, textiles
Tagged #DARstateflag, #gamblinartistcolors, #gamblinoilpaint, #georgewashington, #replication #paintingonsilk, #textileconservation, #textilepreservation, #washingtonstateflag, DAR, flag, painting on silk, replication, State Flag, Washington history, Washington State DAR, Washington State Flag
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Susan’s Crazy Quilt
End of this year I had the pleasure of working on our client’s Grandmother’s quilt. Pleasure because as I worked on it the imagined original beauty came alive; pleasure because our client is interested and excited! As you can see … Continue reading
Posted in antiques, conservation techniques, decorative motifs, history, Interim Report, preservation, process, reparation, reproduction, restoration techniques, textiles
Tagged #crazyquilt, #mpfconservation, #needlepointrepair, #needlework, #pacificnorthwest, #portlandoregon, #slowstitch, #tentstitch, #textileconservation, #textilepreservation, #textilerestoration, #traditionalneedlework, #visiblemending, conservation, embroidery, preservation, tent stitch, Textile conservation, Victorian, woven beadwork
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Textile Conservation: Victorian Tea Cosy, 5, Beading
Continuing from our earlier post on searching for beads… This post, harder repairs. Side “A” had many more difficult repairs. Below is an example of what I shared with our client regarding the worst of her issues on the tea … Continue reading
Posted in antiques, conservation techniques, decorative motifs, history, Interim Report, preservation, process, reparation, reproduction, restoration techniques, textiles
Tagged #beadedneedlepoint, #beadwork, #matchingvintagebeads, #mpfconservation, #needlepointrepair, #needlework, #pacificnorthwest, #portlandoregon, #slowstitch, #teacosy, #tentstitch, #textileconservation, #textilepreservation, #textilerestoration, #traditionalneedlework, #victorianbeadwork, #victorianteacosy, #vintagebeads, #visiblemending, #wovenbeadwork, bead repair, bead work, conservation, needlepoint, needlepoint repair, preservation, tent stitch, Textile conservation, Victorian, woven beadwork
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Textile Conservation: Victorian Tea Cosy, 4, Beading
I started on the easier side, “B” from the previous post, but now I move to the side that is far more damaged, side “A”. Note: These images are not in chronological order in this post. We will cover some … Continue reading
Posted in antiques, conservation techniques, decorative motifs, history, Interim Report, preservation, process, reparation, reproduction, restoration techniques, textiles
Tagged #beadedneedlepoint, #beadwork, #matchingvintagebeads, #mpfconservation, #needlepointrepair, #needlework, #pacificnorthwest, #portlandoregon, #slowstitch, #teacosy, #tentstitch, #textileconservation, #textilepreservation, #textilerestoration, #traditionalneedlework, #victorianbeadwork, #victorianteacosy, #vintagebeads, #visiblemending, #wovenbeadwork, bead repair, bead work, conservation, needlepoint, needlepoint repair, preservation, tent stitch, Textile conservation, Victorian, woven beadwork
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Textile Conservation: Victorian Tea Cosy, 3, Beading
Continuing from our earlier post on searching for beads… The cosy has two sides, arbitrarily labeled “A” and “B” for reporting and discussion sake in the report. Some of the areas of the tea cosy have disintegrating linen warp and … Continue reading
Posted in antiques, conservation techniques, decorative motifs, history, Interim Report, preservation, process, reparation, reproduction, restoration techniques, textiles
Tagged #beadedneedlepoint, #beadwork, #matchingvintagebeads, #mpfconservation, #needlepointrepair, #needlework, #pacificnorthwest, #portlandoregon, #slowstitch, #teacosy, #tentstitch, #textileconservation, #textilepreservation, #textilerestoration, #traditionalneedlework, #victorianbeadwork, #victorianteacosy, #vintagebeads, #visiblemending, #wovenbeadwork, bead repair, bead work, conservation, needlepoint, needlepoint repair, preservation, tent stitch, Textile conservation, Victorian, woven beadwork
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