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Tag Archives: #textilerestoration
We have several interesting textile projects in the studio this year, and one of the most challenging is this Victorian Tea Cosy for a private client who has generously allowed the process to be shared. Today I began the excavation … Continue reading
One of the biggest challenges in conservation is when the artists were not thinking about their pieces being loved and collected, and eventually, cleaned and conserved, and work in mediums that are experimental (as in the case of early acrylics). … Continue reading
One of the sweetest pieces we ever treated. A widow had several items conserved for the children in the family. This lovely beaded needlepoint had many condition issues: dozens of moth-eaten areas, ripped or broken canvas, a good deal of … Continue reading
Frances Normandin, great-grandmother to our clients, designed and created the needlework bell hanger (ca 1930-1940) as a gift for her 15-year-old son, Fred Louis Normandin, Jr., or “Bub.” Fred was named after his father, the first grocer in the Mount … Continue reading
Continuing from our first post on crewelwork and cleaning Frances Normandin’s beautiful crewel-worked textile circa 1930-1940, and our second on dyes and color choices: The process of infill and stabilization began. Remember that there were two to three repair yarn … Continue reading
Continuing from our first post on crewelwork and cleaning Frances Normandin’s beautiful crewel-worked textile circa 1930-1940: The textile is cleaned, but I want to step back to look at some images (before cleaning) to share some surprising comparisons and talk … Continue reading
This beautiful crewel-worked textile circa 1930-1940 is a family heirloom, a stunning example of good design and perfect execution. Frances Normandin, great-grandmother to our clients, designed the brilliant layout and worked the piece, a depiction of their family farm house … Continue reading