Planter’s Chair Conservation
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Category Archives: pigments
JBC: White Patriotic Jumper Treatment, Oil Paint
Our White Patriotic Jumper had treatment of his parts: Treatment, Tail, Part I; Treatment, Tail, Part II, Treatment, Tail, Part III, Treatment, Knees and Thighs, and Treatment, Belly Split. Patriotic was thoroughly Prepared for Finish Work, and a base coat … Continue reading
Posted in antiques, conservation techniques, Interim Report, painted objects, pigments, preservation, process, reparation, restoration techniques, wooden objects
Tagged #antiquecarousels, #carouselhorses, #cwparker, #cwparkercarousel, #gamblinoilpaint, #gesso, #historiccarousels, #horse, #jantzenbeachcarousel, #jumper, #mpfconservation, #nwportland, #objectconservation, #paintedobjects, #parkercarousel, #patriotic, #patrioticjumper, #polychromeobjects, #portlandoregon, #underpainting, C.W.Parker carousel, carousel, horses, Jantzen Beach Carousel, object conservation, painted objects, polychrome, restoration, wooden object conservation
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JBC: White Patriotic Jumper Treatment, Gesso
Our White Patriotic Jumper had treatment of his parts: Treatment, Tail, Part I; Treatment, Tail, Part II, Treatment, Tail, Part III, Treatment, Knees and Thighs, Treatment, Belly Split and Preparation for Finish Work. The White Patriotic Jumper is a sample … Continue reading
Posted in antiques, conservation techniques, Interim Report, painted objects, pigments, preservation, process, reparation, restoration techniques, wooden objects
Tagged #antiquecarousels, #carouselhorses, #cwparker, #cwparkercarousel, #gesso, #historiccarousels, #horse, #jantzenbeachcarousel, #jumper, #mpfconservation, #nwportland, #objectconservation, #paintedobjects, #parkercarousel, #patriotic, #patrioticjumper, #polychromeobjects, #portlandoregon, #underpainting, C.W.Parker carousel, carousel, horses, Jantzen Beach Carousel, object conservation, painted objects, polychrome, restoration, wooden object conservation
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Frances Normandin’s Beautiful Crewel Work, 2: Treatment, Colorwork
Continuing from our first post on crewelwork and cleaning Frances Normandin’s beautiful crewel-worked textile circa 1930-1940: The textile is cleaned, but I want to step back to look at some images (before cleaning) to share some surprising comparisons and talk … Continue reading
Posted in conservation techniques, decorative motifs, pigments, preservation, process, reparation, restoration techniques, textiles
Tagged #artsandcrafts, #crewel, #crewelwork, #farmhouse, #hearstcastle, #matchingcolor, #pacificnorthwest, #portlandoregon, #textileconservation, #textiledesign, #textilerestoration, #wool, arts and crafts, color, conservation, Frances Normandin, Gales Creek, infill, linen, Oregon, Pacific Northwest, repair, Textile conservation
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Washington State Flag, Mixing Paint
I created test sheets for oil versions of George. Two coats of shellac seals the paper for the oil paint. It is nice to use up old shellac which can no longer be used on furniture! Phthalo Green and Chromium … Continue reading
Posted in antiques, art, decorative motifs, Interim Report, painted objects, pigments, process, reproduction, textiles
Tagged #DARstateflag, #gamblinartistcolors, #gamblinoilpaint, #replication #paintingonsilk, #washingtonstateflag, DAR, flag, painting on silk, replication, State Flag, Washington history, Washington State DAR, Washington State Flag
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Creating Random Pattern in a Painted Finish
This is a European Pear wood, Louis XVI, French Empire Sofa from the mid-18th century. The image above is the way it appeared when it arrived in our studio. The frame was well-loved by generations though abuses by upholsterers and … Continue reading
Process: Gustav Stickley Ladderback Chair Finish
Continuing from the Reparation of the Gustav Stickley Ladderback Armchair (Or to begin at the beginning go here.) We began our finish with a quick review of the chair with the repairs completed, above. The chairs were covered with radial … Continue reading
Posted in antiques, chair, conservation techniques, Interim Report, pigments, process, restoration techniques, traditional varnishes, waxes, wooden objects
Tagged 1910, antiques, arts and crafts, chair, conservation techniques, Furniture Conservation, Furniture Restoration, Gustav Stickley, Interim Report, Ladderback Arm Chair, MPF Conservation, Pacific Northwest, Portland, process, reparation, restoration techniques, traditional varnishes, upholstery, Upholstery Portland Oregon, waxes, wooden objects and tagged 1900
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Repairing Veneer on a Bombe in the Style of Louis XV
Before Repair, Above, and After, Below. This is a lovely bombe which had cracked veneer across the curved door faces. Someone had previously repaired it long before our current owners took possession. MPFC treated several areas, but I am posting … Continue reading
Posted in antiques, conservation techniques, Interim Report, pigments, preservation, process, reparation, restoration techniques, shellac, wooden objects
Tagged Bombe, damaged veneer, finish, Louis XV, restoration, shellac
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L is for Lead: A-to-Z-Challenge
Let’s talk about lead as in lead paint, shown right in a Mason Monterey Horseshoe-back Chair, especially in the cream, yellow, and greens. While we are at it, let’s talk about toxic pigments in antique or vintage paints. We love … Continue reading
D is for Dragon’s Blood: A-to-Z Challenge
Dragon’s Blood is a pigment that was widely used in furniture finishes before and in the early 19th century. Synthetic dyes and a shift to different preferences in wood species moved makers away from this very popular finish, and of … Continue reading
Posted in antiques, pigments, restoration techniques, shellac, traditional varnishes
Tagged blood, dragon, dragonsblood, John McLoughlin, pigment, pigmentation, red, shellac, varnish
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