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We left off with the finished drafts on paper, above. New tracings from our master tracing are created each time so the tracing paper doesn’t wear and the marks are fresh, not fat and sloppy. Silk was primed using Gamblin’s … Continue reading
Beginning with the test sheets, I created test paintings of oil on paper. The paper was primed with shellac to prevent oil seepage. New tracings from our master tracing are created each time so the marks are fresh. My first … Continue reading
I created test sheets for oil versions of George. Two coats of shellac seals the paper for the oil paint. It is nice to use up old shellac which can no longer be used on furniture! Phthalo Green and Chromium … Continue reading
The Flag Room is staged for the duration of the project. Black foam-core lines the walls waiting for the silk to be stretched upon. The silk will be attached to the foam-core for stability. The center table, currently used to … Continue reading
In our last post, I told a story about determining our reproduction protocol. Now, on to testing products! Never underestimate the benefits of testing materials. I am by nature an impatient artist and tend to dive into art materials and … Continue reading
I am adept at painting, and adept at finishes on furniture: shellac, oil finishes, painted finishes, etc. As an artist my chosen medium are acrylics and watercolors, oil on shellacked paper, mixed media, on canvas and paper. I’ve never painted … Continue reading
A caveat in posting a rant, however humorous. There are some excellent showrooms, and we are grateful and support them whenever we can. The rant below is a glimpse into what can happen and does happen when two seasoned professionals … Continue reading