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Tag Archives: #textileconservation
One of the biggest challenges in conservation is when the artists were not thinking about their pieces being loved and collected, and eventually, cleaned and conserved, and work in mediums that are experimental (as in the case of early acrylics). … Continue reading
A sweet mid-nineteenth century faux bamboo Windsor sported touches of gold paint in the crevices of the “bamboo”. We do not know if it was original or added later. The chair had no breaks, and he joints were quite stable. … Continue reading
We left off with the finished drafts on paper, above. New tracings from our master tracing are created each time so the tracing paper doesn’t wear and the marks are fresh, not fat and sloppy. Silk was primed using Gamblin’s … Continue reading
The Seignouret chair appears to be an actual Empire striped mahogany “gondola” chair made by Francois Seignouret in Louisiana circa 1830-1850, though it could also be a later version of the signature chair (design attributed to Seignouret) created by Prudent … Continue reading
This week may be children’s week, as I am posting a throwback to a child’s rocker as well. The mother grew up with this rocker, but had made a new needlepoint for the seat. She wanted the old needlepoint cleaned. … Continue reading
One of the sweetest pieces we ever treated. A widow had several items conserved for the children in the family. This lovely beaded needlepoint had many condition issues: dozens of moth-eaten areas, ripped or broken canvas, a good deal of … Continue reading
Frances Normandin, great-grandmother to our clients, designed and created the needlework bell hanger (ca 1930-1940) as a gift for her 15-year-old son, Fred Louis Normandin, Jr., or “Bub.” Fred was named after his father, the first grocer in the Mount … Continue reading