Category Archives: textiles

Frances Normandin’s Bell Hanger

Frances Normandin, great-grandmother to our clients, designed and created the needlework bell hanger (ca 1930-1940) as a gift for her 15-year-old son,  Fred Louis Normandin, Jr., or “Bub.”  Fred was named after his father, the first grocer in the Mount … Continue reading

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Frances Normandin’s Crewel Work, 3: Infill and Stabilization

Continuing from our first post on crewelwork and cleaning Frances Normandin’s beautiful crewel-worked textile circa 1930-1940, and our second on dyes and color choices: The process of infill and stabilization began. Remember that there were two to three repair yarn … Continue reading

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Frances Normandin’s Beautiful Crewel Work, 2: Treatment, Colorwork

Continuing from our first post on crewelwork and cleaning Frances Normandin’s beautiful crewel-worked textile circa 1930-1940: The textile is cleaned, but I want to step back to look at some images (before cleaning) to share some surprising comparisons and talk … Continue reading

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Frances Normandin’s Beautiful Crewel Work,1: Treatment

This beautiful crewel-worked textile circa 1930-1940 is a family heirloom, a stunning example of good design and perfect execution. Frances Normandin, great-grandmother to our clients, designed the brilliant layout and worked the piece, a depiction of their family farm house … Continue reading

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Victorian Firescreen Textile Treatment

This Victorian firescreen, circa 1890-1910, is a family heirloom, created from petitpoint, needlepoint, and cross-stitching, quite lovely when new. Originally it might have attached to a wooden or metal stand, standing in front of a fireplace to shield the family … Continue reading

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Washington State Flag 8, Mixing Paint

I created test sheets for oil versions of George. Two coats of shellac seals the paper for the oil paint. It is nice to use up old shellac which can no longer be used on furniture! Phthalo Green and Chromium … Continue reading

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Washington State Flag 7, Tracings

The Flag Room is staged for the duration of the project. Black foam-core lines the walls waiting for the silk to be stretched upon. The silk will be attached to the foam-core for stability. The center table, currently used to … Continue reading

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